Layers of Vision. The Making of a Cover.

My artist Amalia Chitulescu works with me as if she’s psychic. She understands the mood and tone I want for my covers, and the results– if I may say so– are spectacular.
When I was sending her notes about the direction for the cover of The Forest Bull, she immediately keyed on what I was attempting to describe.
We began with the forest primeval. Simple enough, but the quality of the first image is stellar.

So the mood is set. It’s deep, ancient, and a touch threatening, just as it should be. Then, we needed a model who was elegant, thin, but in motion. She had to possess the quality of beauty that was both threatening and disdainful.

That, as the story goes, is Elizabeth. We had to remove some of the accessibility and warmth. Fair enough. By using blues and cool tones, we end up with a mystery and a woman who is at the very heart of it all.

 And with that, the danger and unknown come to life. The Aurochs walks behind Elizabeth, regal in his domain, but we can tell there is much more to the story.

And much more to Elizabeth.

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